MFA Sculpture
1st floor, Sculpture, Studio 140F
Social media: @aguerojahannes
Ana María Agüero Jahannes
Donuts, Red oak, milk paint, cotton cord, 18 × 26 × 32 in.
Gathering people in my home is central to my practice. In the places I've lived, I've gathered Black queer and trans people to build spaces for belonging, refuge, recognition, and collective care. These gatherings strengthen relationships among people who may share experiences and values, offering room to connect without an outside gaze or the expectation of having to explain ourselves to those with relative privilege.
I am both the maker of the spaces and objects within them, and the person who gathers people there. Through furniture, domestic objects, and built environments, I explore how our surroundings shape the ways we come together and build relationships.
Extending an invitation is a way of building networks of chosen family and community, but it also raises questions about access, intimacy, and protection. Who is welcome, and what allows people to feel at ease enough to be vulnerable and fully themselves? What happens when people outside these communities are invited to encounter spaces whose value partly comes from being free of an outside gaze?
Rather than opening these intimate spaces to public access, I'm interested in how to share their necessity, joy, and possibility without reproducing the scrutiny they offer refuge from. I approach exhibition as a way of extending that invitation through the objects themselves. Furniture and domestic objects become stand-ins for the gatherings they held: lived-in, lived-with objects shaped by the relationships, care, and experiences that took place around them. They offer a way to encounter the traces of these spaces without requiring the people who made them meaningful to become objects of observation.
Ana María Agüero Jahannes
Ana María Agüero Jahannes is a Colombian American interdisciplinary artist based in Philadelphia whose work explores home as a site of belonging, recognition, refuge, and collective care for Black queer and trans people. She creates furniture, domestic objects, and built environments using wood, ceramics, and textiles, with choreography informing her approach to space and gathering.
Her practice takes shape through gatherings in her home that foster connection and chosen family, creating spaces where Black queer and trans people can exist on their own terms. She also exhibits the objects that hold traces of these experiences. Through these lived-in, lived-with objects, she invites audiences to encounter the necessity, joy, and possibility of these spaces without exposing the communities that give them meaning.
Ana is pursuing an MFA in Sculpture at Tyler School of Art and Architecture. Her work has been commissioned by The Shed NYC and supported by residencies at Joan Mitchell Center and Penland School of Craft, as well as grants from Center for Cultural Innovation, Chairmaker’s Toolbox, Haystack Mountain School of Crafts, and the City of Oakland.

