THE AFTERLIFE
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
The Afterlife (installation view)
Laura Sallade, Mapping Occurrence, 2026, Glass, silver, concrete, mixed-media paints, mylar, resin. Dimensions variable
Laura Sallade, Mapping Occurrence, 2026, Glass, silver, concrete, mixed-media paints, mylar, resin. Dimensions variable
Laura Sallade, Mapping Occurrence, 2026, Glass, silver, concrete, mixed-media paints, mylar, resin. Dimensions variable
Laura Sallade, Mapping Occurrence, 2026, Glass, silver, concrete, mixed-media paints, mylar, resin. Dimensions variable
Laura Sallade, Concentric Portal, 2025, Glass, silver, concrete, steel. 19 1/2" x 24" x 2"
Marcè Nixon-Washington, Those abandoned lots for sale... 2026, Stoneware, porcelain, locally dug clay (Temple University Campus), mudcloth fabric (cotton, black tea, and locally dug clay), kiln-cast glass, bricks. Image reference: Heinz History Center and Carnegie Library of Pittsburgh. 48" x 48" x 48"
Marcè Nixon-Washington, Those abandoned lots for sale... 2026, Stoneware, porcelain, locally dug clay (Temple University Campus), mudcloth fabric (cotton, black tea, and locally dug clay), kiln-cast glass, bricks. Image reference: Heinz History Center and Carnegie Library of Pittsburgh. 48" x 48" x 48"
Marcè Nixon-Washington, Those abandoned lots for sale... 2026, Stoneware, porcelain, locally dug clay (Temple University Campus), mudcloth fabric (cotton, black tea, and locally dug clay), kiln-cast glass, bricks. Image reference: Heinz History Center and Carnegie Library of Pittsburgh. 48" x 48" x 48"
Marcè Nixon-Washington, Those abandoned lots for sale... 2026, Stoneware, porcelain, locally dug clay (Temple University Campus), mudcloth fabric (cotton, black tea, and locally dug clay), kiln-cast glass, bricks. Image reference: Heinz History Center and Carnegie Library of Pittsburgh. 48" x 48" x 48"
Meredith Tenney-Free, Syntropy Forms (Saints), 2026, Silk dyed with leaves foraged from the farm I give my compost; smoketree branches from the parking lot next door; copper wire, plate, and leaf; catalogs and magazines collected from numerous friends, recycled using a borrowed blender; cast-off window glass; methylcellulose. Dimensions variable
Meredith Tenney-Free, Syntropy Forms (Saints), 2026, Silk dyed with leaves foraged from the farm I give my compost; smoketree branches from the parking lot next door; copper wire, plate, and leaf; catalogs and magazines collected from numerous friends, recycled using a borrowed blender; cast-off window glass; methylcellulose. Dimensions variable
Meredith Tenney-Free, Birds (Meets the Women of Jerusalem), 2026, Catalogs and magazines collected from numerous friends, recycled using a borrowed blender. 16" x 19" x 7" and Meredith Tenney-Free, Animals (Their Robes are Divided), 2026, Catalogs and magazines collected from numerous friends, recycled using a borrowed blender. 12" x 13" x 7"
Meredith Tenney-Free, Syntropy Forms (Saints), 2026, Silk dyed with leaves foraged from the farm I give my compost; smoketree branches from the parking lot next door; copper wire, plate, and leaf; catalogs and magazines collected from numerous friends, recycled using a borrowed blender; cast-off window glass; methylcellulose. Dimensions variable
Meredith Tenney-Free, Syntropy Forms (Saints), 2026, Silk dyed with leaves foraged from the farm I give my compost; smoketree branches from the parking lot next door; copper wire, plate, and leaf; catalogs and magazines collected from numerous friends, recycled using a borrowed blender; cast-off window glass; methylcellulose. Dimensions variable
Meredith Tenney-Free, Syntropy Forms (Saints), 2026, Silk dyed with leaves foraged from the farm I give my compost; smoketree branches from the parking lot next door; copper wire, plate, and leaf; catalogs and magazines collected from numerous friends, recycled using a borrowed blender; cast-off window glass; methylcellulose. Dimensions variable
Judith Addison, Atoll, 2025, Porcelain. 24" x 24" x 24"
Judith Addison, Atoll, 2025, Porcelain. 24" x 24" x 24"
Judith Addison, Atoll, 2025, Porcelain. 24" x 24" x 24"
Judith Addison, Atoll, 2025, Porcelain. 24" x 24" x 24"
Will Grimm, 2026 and ev Leto 2025
Will Grimm, 2026
Will Grimm, Flooded, 2026, Hand-stitched post-mortem dye kitchen rags. 14" x 24"
Will Grimm, Rosebuds, 2025, Boyfriend's towels (abandoned after mopping up cat piss); MX dye; backed with vintage wool blanket. 33" x 44"
Will Grimm, O-Face, 2026, Cotton fabric shreds, scraps, slivers, and rags collected from artist's practice, donation bins, trash cans, and Tyler floor; overdyed yellow. 64" x 64"
Ananda Voecks 2026
Ananda Voecks, Split Dome Brooch, 2026, Brass, acrylic, glass, steel wire. 1 5/8" x 1 5/8" x 3/4"
Ananda Voecks, Metal Dome Brooch, 2026, Brass, steel wire, acrylic. 2 1/4" x 2 1/4" x 1"
Ananda Voecks, Black Dome Brooch, 2026, Brass, acrylic, steel wire. 1 1/2" x 1 1/2" x 1"
Ananda Voecks, White Dome Brooch, 2026, Brass, silver, acrylic, steel wire. 2" x 2" x 1/2"
Brianna Howard, Signals in Blue Distance, 2025, Acrylic on canvas mounted on wood. 30" x 24" x 1/2"
Brianna Howard, If the Air Could Keep Count, 2025, Acrylic on canvas mounted on wood. 12" x 18" x 1/2"
Brianna Howard, If the Air Could Keep Count, 2025, Acrylic on canvas mounted on wood. 12" x 18" x 1/2" and Brianna Howard, Signals in Blue Distance, 2025, Acrylic on canvas mounted on wood. 30" x 24" x 1/2"
Brianna Howard, Noise Floor, 2026, Acrylic on canvas mounted on wood. 72" x 24" x 1/2"
Brianna Howard, Noise Floor, 2026, Acrylic on canvas mounted on wood. 72" x 24" x 1/2" and Brianna Howard, Between Stations, 2026, Acrylic on canvas mounted on wood. 18" x 18" x 1/2"
Brianna Howard, Between Stations, 2026, Acrylic on canvas mounted on wood. 18" x 18" x 1/2"
Lena Ruth Schwartz, Moose Husk, 2026, Cardboard pulp, glue, chicken wire, wood, PVC. 87" x 60" x 44" and Lena Ruth Schwartz, Flock, 2026, Wool. Dimensions variable
Lena Ruth Schwartz, Moose Husk, 2026, Cardboard pulp, glue, chicken wire, wood, PVC. 87" x 60" x 44"
Lena Ruth Schwartz, Moose Husk, 2026, Cardboard pulp, glue, chicken wire, wood, PVC. 87" x 60" x 44"
Lena Ruth Schwartz, Moose Husk, 2026, Cardboard pulp, glue, chicken wire, wood, PVC. 87" x 60" x 44" and Lena Ruth Schwartz, Flock, 2026, Wool. Dimensions variable
Lena Ruth Schwartz, Flock, 2026, Wool. Dimensions variable
Rylie Kelley, We twist and tangle, carried by the dancing eddies of the tide pools, 2026, Shaped copperplate intaglio print with soft ground etching, aquatint, and viscosity roll; blind embossment. 28" x 46" and Rylie Kelley, Your hands glide across my chest, a gentle tide of salt and brine, 2026, Ceramic, sand, sound recording of the Atlantic Ocean, and poetry. Dimensions variable
Rylie Kelley, We twist and tangle, carried by the dancing eddies of the tide pools, 2026, Shaped copperplate intaglio print with soft ground etching, aquatint, and viscosity roll; blind embossment. 28" x 46"
Rylie Kelley, Your hands glide across my chest, a gentle tide of salt and brine, 2026, Ceramic, sand, sound recording of the Atlantic Ocean, and poetry. Dimensions variable
Olivia Smith, Intertwined, 2026, Cotton and wool weaving, wood. 36" x 12" x 17"
Olivia Smith, Intertwined, 2026, Cotton and wool weaving, wood. 36" x 12" x 17"
Olivia Smith, Intertwined, 2026, Cotton and wool weaving, wood. 36" x 12" x 17"
Olivia Smith, Intertwined, 2026, Cotton and wool weaving, wood. 36" x 12" x 17"
Brianna Howard, Olivia Smith, Jamie Cabreza, 2026
Olivia Smith, Frantic Hands, 2026, Monoprint on mulberry paper, wood. 62" x 110" x 12"
Olivia Smith, Frantic Hands, 2026, Monoprint on mulberry paper, wood. 62" x 110" x 12"
Olivia Smith, Frantic Hands, 2026, Monoprint on mulberry paper, wood. 62" x 110" x 12"
Maximilian Art Boyce, Al Centro, Pá Dentro, 2026, Concrete, rebar, steel, and glass. 72" x 32" x 55"
Maximilian Art Boyce, Al Centro, Pá Dentro, 2026, Concrete, rebar, steel, and glass. 72" x 32" x 55"
Maximilian Art Boyce, Al Centro, Pá Dentro, 2026, Concrete, rebar, steel, and glass. 72" x 32" x 55"
Maximilian Art Boyce, Threshold Adrift, 2026, Single-channel video projection (4:45); safety glass, wood, steel, and plastic. 27" x 27" x 14"
Maximilian Art Boyce, Threshold Adrift, 2026, Single-channel video projection (4:45); safety glass, wood, steel, and plastic. 27" x 27" x 14"
Jamie Cabreza, Satellite, 2024-2026, Archival pigment print on fine art paper. 5 individual 13" x 20" prints in a grid. Dimensions variable
Jamie Cabreza, Satellite, 2024-2026, Archival pigment print on fine art paper. 5 individual 13" x 20" prints in a grid. Dimensions variable and Jamie Cabreza, Found Object Archive, 2026, Found objects; envelope with acetate window. 8 1/2" x 12" x 1"
Jamie Cabreza, Found Object Archive, 2026, Found objects; envelope with acetate window. 8 1/2" x 12" x 1"
Marta Murray , atlas as a girl, 2026, Batter, pink slime, oil, acrylic, ink, and grommets on paper. 90" x 112"
Marta Murray , atlas as a girl, 2026, Batter, pink slime, oil, acrylic, ink, and grommets on paper. 90" x 112" and Marta Murray, DOJ disclosures, 2026, Ink and acrylic on paper. Series of 9 drawings. 11" x 14" each
Marta Murray, DOJ disclosures, 2026, Ink and acrylic on paper. Series of 9 drawings. 11" x 14" each
Marta Murray, DOJ disclosures, 2026, Ink and acrylic on paper. Series of 9 drawings. 11" x 14" each
Marta Murray, DOJ disclosures, 2026, Ink and acrylic on paper. Series of 9 drawings. 11" x 14" each
Marta Murray, DOJ disclosures, 2026, Ink and acrylic on paper. Series of 9 drawings. 11" x 14" each
Madison Tubbs, Knee Gradient, 2026, Acrylic on canvas. 60" x 126"
Madison Tubbs, Knee Gradient, 2026, Acrylic on canvas. 60" x 126"
Madison Tubbs, Soft Beams, 2026, Acrylic on canvas. 36" x 48"
Madison Tubbs, Soft Beams, 2026, Acrylic on canvas. 36" x 48" Madison Tubbs, Threshold, 2026, Acrylic on canvas and metal pin. 24" x 30"
Rich Brown, 20-26
Rich Brown, Perpetrator, 2026, Repurposed door; repurposed sweatshirt. Dimensions variable
Rich Brown, Perpetrator, 2026, Repurposed door; repurposed sweatshirt. Dimensions variable
Rich Brown, MVP, 2026, Repurposed basketball rim; repurposed sneakers, denim, basketball shorts. Dimensions variable
Rich Brown, MVP, 2026, Repurposed basketball rim; repurposed sneakers, denim, basketball shorts. Dimensions variable
Rich Brown, Find Away, 2026, Salvaged door. Dimensions variable
Rich Brown, Find Away, 2026, Salvaged door. Dimensions variable
Mary Champagne, Sunk cost, 2025, Nylon, marble, steel. 7" x 102" x 30"
Mary Champagne, Sunk cost, 2025, Nylon, marble, steel. 7" x 102" x 30"
Mary Champagne, Sunk cost, 2025, Nylon, marble, steel. 7" x 102" x 30"
Mary Champagne, Sunk cost, 2025, Nylon, marble, steel. 7" x 102" x 30"
Mary Champagne, Spine, 2026, Leather, silk, granite, steel, ball bearings, pine rosin, Darth Vader house key. 42" x 10" x 36"
Mary Champagne, Spine, 2026, Leather, silk, granite, steel, ball bearings, pine rosin, Darth Vader house key. 42" x 10" x 36"
Mary Champagne, Spine, 2026, Leather, silk, granite, steel, ball bearings, pine rosin, Darth Vader house key. 42" x 10" x 36"
Weiwei Li, Quiet Fragments, 2026, Titanium, niobium, gold foil. 38 individual pieces. 55" x 17" x 6"
Weiwei Li, Quiet Fragments, 2026, Titanium, niobium, gold foil. 38 individual pieces. 55" x 17" x 6"
Weiwei Li, Quiet Fragments, 2026, Titanium, niobium, gold foil. 38 individual pieces. 55" x 17" x 6"
Weiwei Li, Quiet Fragments, 2026, Titanium, niobium, gold foil. 38 individual pieces. 55" x 17" x 6"
Weiwei Li, Quiet Fragments, 2026, Titanium, niobium, gold foil. 38 individual pieces. 55" x 17" x 6"
Weiwei Li, Box Pouch, 2025, Titanium, sterling silver. 3 1/2" x 1 1/2" x 5 1/2"
Weiwei Li, Box Pouch, 2025, Titanium, sterling silver. 3 1/2" x 1 1/2" x 5 1/2"
Weiwei Li, Box Pouch, 2025, Titanium, sterling silver. 3 1/2" x 1 1/2" x 5 1/2"
Joseph E. Malson, Cake Eaters, 2026, Found fabric, acrylic ink, thread. 32" x 24" and Joseph E. Malson, One Blue Pussy (Shadow), 2026, Found material, thread. Dimensions variable
Joseph E. Malson, Cake Eaters, 2026, Found fabric, acrylic ink, thread. 32" x 24"
Joseph E. Malson, One Blue Pussy (Shadow), 2026, Found material, thread. Dimensions variable
Brandon Aquino Straus, Flora After, 2026, 4-channel video installation (12:48); source also notes video converted into one channel. Dimensions variable
Brandon Aquino Straus, Flora After, 2026, 4-channel video installation (12:48); source also notes video converted into one channel. Dimensions variable
Brandon Aquino Straus, Flora After, 2026, 4-channel video installation (12:48); source also notes video converted into one channel. Dimensions variable
Jess Santana, Inner Workings, 2026, Installation; cast handmade paper, screenprint, etching, monoprint. Dimensions variable
Jess Santana, Outside In, 2026, Mirrored bathroom cabinet, cast paper. 19 1/4" x 15 1/4" x 5" and Jess Santana, Shedding Weight, 2026, Handmade paper, artist's hair. Dimensions variable
Jess Santana, Outside In, 2026, Mirrored bathroom cabinet, cast paper. 19 1/4" x 15 1/4" x 5"
Jess Santana, Inner Workings, 2026, Installation; cast handmade paper, screenprint, etching, monoprint. Dimensions variable
Jess Santana, Inner Workings, 2026, Installation; cast handmade paper, screenprint, etching, monoprint. Dimensions variable
Jess Santana, Inner Workings, 2026, Installation; cast handmade paper, screenprint, etching, monoprint. Dimensions variable
Rachael Henson, Breath Experiment II, 2026, Steel, petri dishes, microphone goosenecks, Rain-X. Dimensions variable.
Rachael Henson, Breath Experiment II, 2026, Steel, petri dishes, microphone goosenecks, Rain-X. Dimensions variable.
Rachael Henson, Breath Experiment II, 2026, Steel, petri dishes, microphone goosenecks, Rain-X. Dimensions variable.
Rachael Henson, The Interface, 2026, One channel video installation. Dimensions variable
Rachael Henson, The Interface, 2026, One channel video installation. Dimensions variable
Nabeel Naveed, 2026
Nabeel Naveed, MNA, 2026 Oil and pigment on muslin. 100" x 68"
Nabeel Naveed, Cloud, 2026, Oil on muslin. 12" x 8 1/2" and Nabeel Naveed Grid & Eucalyptus 2026 Oil on muslin. 12" x 8.5"
Nabeel Naveed Grid & Eucalyptus 2026 Oil on muslin. 12" x 8.5"
Nabeel Naveed, (Rice) Field, 2026 Oil on canvas. 68" x 96"
Nabeel Naveed, (Rice) Field, 2026 Oil on canvas. 68" x 96"
Gwyneth Zeleny Anderson, Chorus, 2026, Plastic cups and straws. 7" x 40" x 40"
Gwyneth Zeleny Anderson, Chorus, 2026, Plastic cups and straws. 7" x 40" x 40"
Gwyneth Zeleny Anderson, Dream Radio, 2026, Looped broadcast of dreams from people who live near or spend time at Temple University; radio tuned to 88.8 FM; sound absorbent fabric. 163" x 48" x 48"
Gwyneth Zeleny Anderson, Dream Radio, 2026, Looped broadcast of dreams from people who live near or spend time at Temple University; radio tuned to 88.8 FM; sound absorbent fabric. 163" x 48" x 48"
Gwyneth Zeleny Anderson, Mixed-Bloods, 2026, A letter to the artist's eugenicist great- grandfather, self-healing cutting mat, wood desk found in the basement of Temple University's student center. Dimensions variable
Gwyneth Zeleny Anderson, Recession, 2026, Artist's blood on a paper towel, plastic bag, red pushpin. 4" x 6" and Gwyneth Zeleny Anderson, Mixed-Bloods, 2026, A letter to the artist's eugenicist great- grandfather, self-healing cutting mat, wood desk found in the basement of Temple University's student center. Dimensions variable
ev Leto, It's the End of the World as We Know It, 2025, One-channel video installation. Dimensions variable
ev Leto, It's the End of the World as We Know It, 2025, One-channel video installation. Dimensions variable
ev Leto, Artist books, 2024-2025, Dimensions variable
ev Leto, Artist books, 2024-2025, Dimensions variable
ev Leto, Artist books, 2024-2025, Dimensions variable
ev Leto, Untitled, tape chairs (front) , 2024-2025, Packing tape. Dimensions variable
ev Leto, Untitled, tape chairs (front) , 2024-2025, Packing tape. Dimensions variable
ev Leto, Untitled, tape chairs (front) , 2024-2025, Packing tape. Dimensions variable
ev Leto, Untitled, tape chairs (front) , 2024-2025, Packing tape. Dimensions variable and Jessalyn Mailoa, Tender Fixation, 2024, One-channel video installation. Dimensions variable
Jessalyn Mailoa, Tender Fixation, 2024, One-channel video installation. Dimensions variable
Jessalyn Mailoa, Tender Fixation, 2024, One-channel video installation. Dimensions variable
Daniel Gottschalk, 2026, Bronze. 6 1/8" x 1 1/4" x 4 1/4"
Daniel Gottschalk, Bick, 2025, Bronze, sapphire. 2 1/4" x 1 3/8" x 5 3/4"
Daniel Gottschalk , Twoalls, 2025, Bronze. 7 3/4" x 3 5/8" x 2 1/2"
Daniel Gottschalk, The Hand Of, 2026, Bronze, garnet. 2 1/8" x 2 1/4" x 5 3/4"
Zahra Momeni , Your Trace in the Farthest Nearness, 2026, Mixed-media installation with overhead projection, photograms, transparent fabric, and handwritten text. Dimensions variable
Zahra Momeni , Your Trace in the Farthest Nearness, 2026, Mixed-media installation with overhead projection, photograms, transparent fabric, and handwritten text. Dimensions variable
Zahra Momeni , Your Trace in the Farthest Nearness, 2026, Mixed-media installation with overhead projection, photograms, transparent fabric, and handwritten text. Dimensions variable
Zahra Momeni , Your Trace in the Farthest Nearness, 2026, Mixed-media installation with overhead projection, photograms, transparent fabric, and handwritten text. Dimensions variable
PHOTO CREDITS: ERIN BOYLE
ESSAY: LEAH TRIPLETT
BOOKLET DESIGN: ANTHONY DeLUCA

